Review posted for Nikon P7000!

Test Images(click to enlarge)

Still Life

Still life image for the Nikon Coolpix P7000 digital camera

Multi Target

Multi target image for the Nikon Coolpix P7000 digital camera

by Dan Havlik, Mike Tomkins, Shawn Barnett,and Zig WeidelichReview Date: 11/23/2010

If you did a double-take the first time you saw the Nikon Coolpix P7000, do not worry, there is nothing wrong with you. This new flagship compact camera from Nikon does, indeed, look a lot like its closest rival, the Canon Powershot G12. And while it could be argued that the Nikon P7000 was announced first so, therefore, should not be considered the imitator, the Canon G12 is really just a slight variation on the G11 from last year, a camera which the Nikon P7000 also resembles.

But no matter. If you are going to pick a camera design to be influenced by, there are few better choices than Canon’s recent all-black G-Series models: they are tough, compact, and offer extensive advanced control through exterior buttons and knobs. But there is more to the Nikon Coolpix P7000 than just classic good looks and professional-level control. The Nikon P7000 is an entirely new design inside and out from its predecessor, the interesting but flawed P6000. Sporting a 1/1.17-inch, 10.1-megapixel CCD image sensor that rolls back the MP rating from the P6000 (which used a 13.5-megapixel chip), the Nikon P7000 is aiming to improve image quality through a “less is more” approach: fewer pixels means less noise and, ultimately, better photos.

The Nikon Coolpix P7000 also boasts an optically stabilized 7.1x zoom lens with a focal length range equivalent to 28-200mm on a 35mm camera. Maximum aperture ranges from f/2.8 at wide-angle, to f/5.6 at telephoto. The Coolpix P7000 features Nikon’s EXPEED C2 image processor, which grants an ISO sensitivity range of 100 to 6,400 equivalents at full resolution. It also provides for 720p high-def video capture, full resolution burst shooting at 1.3 frames per second, and startup in just 0.9 seconds according to Nikon.

The rear panel of the Nikon P7000 provides both an optical viewfinder and a 3.0-inch LCD panel with a resolution of 921,000 dots. The Nikon P7000 also includes full manual shooting capability, an external flash hot shoe, and a popup flash strobe.

The Nikon P7000 stores data on Secure Digital cards, including SDXC types, in either JPEG compressed or .NRW raw formats. For viewing images and movies on the latest high-def displays, the Nikon P7000 includes HDMI high-definition video output. The Nikon P7000 draws its power from a proprietary EN-EL14 lithium-ion battery pack. Battery life is rated at around 350 stills on a charge.

The Nikon P7000 is priced at US$499.95.

Nikon Coolpix P7000User Report

At the same time, the P7000 can be a frustratingly slow camera to use, more of which we will discuss in the Shooter’s Report below.

Look and feel. Rangefinder-style compact digital cameras are all the rage right now and the Nikon Coolpix P7000 is another digital model that brings to mind those analog street-shooters from yesteryear.

The Nikon P7000 has an optical viewfinder and a non-interchangeable 7.1x (28-200mm equivalent) zoom lens that retracts to make a fairly flat design that is simple to stuff in a jacket pocket or purse, but a tiny massive for a pair of slacks. Overall, the Nikon P7000 has an inconspicuous design that is great for getting candids on the sly.

Weighing 12.6 ounces with card and battery, the Nikon Coolpix P7000 seemed a tiny lighter and slimmer than the Canon G11, but only a touch. The Nikon P7000′s build still feels solid, with its mostly metal body.

The front view reveals a small rubber grip, with an infrared port right next to the right microphone hole. Above that is the AF-assist lamp. A small function button appears to the lower left of the lens, and to the right of that is the accessory lens release button. A metal ring surrounds the lens, which is removed before attaching a converter lens adapter.

The grip is small, but sufficient and the Nikon P7000 feels great in your hand. The zoom toggle is just right. The power button is flush, and the translucent ring surrounding it lights up when the camera is on.

Controls. We especially liked how the EV dial is adjustable with the thumb, and the large, clear numbers are simple to see for fast, accurate adjustments. The Mode dial is easier to turn with a thumb and forefinger. The Nikon P7000 also has three user-programmable mode settings, labelled U1, U2, and U3. Instead of solid metal lugs that take a cloth-only camera strap, the Nikon P7000 uses smaller lugs that require D-rings that can rattle while recording movies. Note how the LCD monitor juts out from the back of the Nikon P7000.

Left of the hot shoe is the new Quick Menu Dial. Just turn the dial to your desired function and press the dial’s center button to bring up an onscreen menu for each function. Functions include image quality, ISO sensitivity, white balance, and bracketing. We only wish the menus came up quicker when you hit the button on the Quick Menu Dial. As it is, it takes a second or two for the adjustment screen to pop up on the LCD, which makes changing essential settings, such as ISO, a less than quick process. More about this later.

A small button marked with a lightning bolt and pac-man symbol actuates a mechanical release to pop up the small flash.

Moving down the right side we find the Control dial, AE/AF-Lock button, with a good rubber thumb pad between them. The AE/AF-Lock button is at such an angle that it’s difficult to activate accidentally, but quite handy.

A Display button is followed by the Playback button and the Multi-controller with a speed dial around the outside and an OK button in the center. Just above the Menu button is a second IR remote window, perfect for simple wireless shutter activation without having to painstakingly move to the front of the camera to make your sensitive exposures. Finally, there is a Delete button is on the bottom right.

Sensor. On the inside, the Nikon P7000 is based around a 10.1-megapixel, 1/1.7-inch CCD image sensor, indicating that this camera is aimed at serious photographers. Rolling back the pixel count favors improved noise characteristics, especially in low light. Maximum image resolution is 3,648 x 2,736 pixels.

As you can see from the scale above, the Nikon P7000′s sensor is not nearly as massive as competing SLR and SLD sensors, but it is bigger than the average digital camera’s sensor, and about the same size as its main competition, the Panasonic LX5 and Canon G12.

Lens. The Nikon P7000 places its sensor behind a 7.1x, optically stabilized zoom lens. Focal lengths range from 6.0 to 42.6mm, equating to a range of 28 to 200mm on a 35mm camera — a useful wide-angle to a good telephoto. Maximum aperture ranges from f/2.8 at wide-angle, to f/5.6 at telephoto. The extra telephoto reach compares pretty favorably to the P6000, whose 4x zoom ranged from f/2.7 wide-angle, to a somewhat dim f/5.9 telephoto.

The Nikon P7000′s lens carries NIKKOR ED branding, indicating that the design includes extra-low dispersion glass elements. The design also includes a built-in neutral density filter, just like the competition. Macro focusing is possible to just 0.8 inches. For photographers needing additional wide-angle reach, an optional WC-E75A Wide Angle Converter can be attached to the Nikon P7000 via a UR-E22 adapter ring, and the combination yields a generous 21mm-equivalent wide-angle.

Prime emulation. One of the more uncommon functions of the Nikon P7000 is its Zoom Memory function, which grants several specific focal lengths (28, 35, 50, 85, 105, 135 and 200mm eq.) to be registered for quick recall, effectively simulating the shooting experience of using several interchangeable prime lenses. For photographers used to this shooting style, it may be a helpful function that grants them to retain their shooting mindset when switching between their compact and SLR cameras.

Processor. The Nikon P7000′s sensor output is handled by an EXPEED C2-branded image processor, with the ‘C’ designation indicating that this is the Coolpix variant of the EXPEED processor, as opposed to those used in Nikon’s digital SLRs. The EXPEED C2 processor enables the Nikon P7000′s useful ISO sensitivity range of 100 to 3,200 equivalents at full resolution, plus an expanded, full-res Hi 1 position equivalent to ISO 6,400. In the Nikon P7000′s “Low-Noise Night Mode,” which uses pixel-binning techniques, this range is further expanded to ISO 12,800 equivalent, albeit at a reduced three-megapixel resolution.

The EXPEED C2 image processor in the Nikon P7000 is designed to boost speed across the board, as compared to its predecessor. Full resolution burst shooting is possible at 1.3 frames per second, up to a maximum burst depth of 45 JPEG frames–a healthy increase over the P6000′s 0.84 frames per second for just six frames. Where the Nikon P7000 was limited to standard-def VGA motion picture capture, the EXPEED C2 processor in the Nikon P7000 also grants 720p high-def video capture.

We noticed only a slight improvement in overall operational speed in the Nikon P7000 from its predecessor, however. (And the P6000, it should be noted, was a devilishly slow camera to shoot with.) More about the P7000′s performance both in our lab test and in real-world shooting conditions in the Shooter’s Report.

The Nikon P7000′s LCD panel has a nice, 3.0-inch diagonal, and a resolution of 921,000 dots, roughly equating to a 640 x 480 pixel array, with adjacent red, green, and blue dots per pixel. The LCD panel has an anti-glare coating and images looked crisp and clear on the screen even in outdoor sunlight. Unlike the Canon G12, the Nikon P7000′s screen does not flip-out or twist up, which was a disappointment. We’ve found articulating LCD screens to be a great boon for composing down low or for over-the-head shots.

Exposure modes. As you’d anticipate on a camera designed for the enthusiast photographer, the Nikon P7000 includes Program, Shutter-priority, Aperture-priority, and Manual exposure modes. There’s also a generous selection of eighteen Scene modes, plus a Scene Auto Selector mode which can select between a subset of these. Like nearly all compact cameras, the Nikon P7000 relies on contrast-detection autofocus. Nikon’s implementation includes both subject tracking capability, and a face-detection function (dubbed Enhanced Face-Priority AF) capable of simultaneously locating up to twelve faces in the scene, and then taking their positions into account when determining focus and exposure variables.

Flash. The Nikon P7000 includes both a built-in popup flash strobe, and a hot shoe for external strobes and external optical viewfinders if desired. The Nikon P7000 uses i-TTL flash metering with Nikon Speedlights. At wide-angle, the flash range extends from one foot, eight inches to 21 feet, and at telephoto from two feet, eight inches to nine feet ten inches.

Tone levels. There’s also a Tone Level Information display function, which not only provides a histogram allowing exposure judgment, but you can also move a window around the image frame, with the histogram showing only brightness levels inside the windowed area. There’s also a blinking highlights function, which grants visual confirmation of areas in the image where overexposure has caused clipped highlights.

Movie mode. As previously mentioned the Nikon P7000 includes a high-definition motion picture mode, enabled thanks to its EXPEED C2 image processor. The Nikon P7000′s high-def movies can be recorded at resolutions up to 720p (1,280 x 720 pixels, progressive scan) at a rate of 24 frames per second. Movies are saved using H.264 compression, in a .MOV container, and include stereo audio — either captured using the Nikon P7000′s internal stereo microphone, or an external mic using the camera’s built-in stereo microphone jack. Movie audio is recorded as 16-bit, 48KHz AAC, with an average bitrate of 28Kbps. Optical zoom while recording movies is supported.

Storage and battery. The Nikon P7000 stores data on Secure Digital cards, including SDXC types. There’s also about 79MB of built-in memory that can be used for image storage. Still images are saved in either JPEG compressed or .NRW RAW formats, with the latter able to be processed on both Windows and Macintosh platforms using the supplied ViewNX 2 software, or the optionally available Capture NX 2 package.

The Nikon P7000 draws its power from a proprietary 7.4v, 1030mAh EN-EL14 lithium-ion battery pack. Battery life is CIPA rated at around 350 stills on a charge.

Shooting with the Nikon Coolpix P7000

by Dan Havlik, with Shawn Barnett

While the Nikon P7000 clearly takes some design cues from the 10-megapixel Canon G11, released a year ago, and the 10MP Canon G12, announced recently, that is not necessarily bad. Those are excellent models to emulate, after all.

The Nikon P7000 is actually slimmer and lighter than the G12 and has a slightly longer body that makes it easier to hold. (In contrast, the G12 feels more like a small brick of a camera.) Despite the more svelt design, the P7000 feels solid in your hand and the small rubber grip gives you a good hold. Most importantly, shooting with the camera is a comfortable and natural experience.

Saying that the Nikon P7000 is derivative of the Canon G12 is something of an understatement, but it’s probably better to state the P7000 is squarely aimed at the G12. After all, aren’t most pocket digital cameras, SLRs, and mirrorless cameras of similar shape and size with their competition? It’s form that defines the category. Regardless how you look at it, both are compelling designs, ideal for the task they are given. The Nikon P7000 is slightly taller and wider than the G12. The Nikon P7000 is thinner, however, with a good rubber grip. Both have EV dials, though they are on opposite sizes, and while the G12 has an ISO dial beneath and surrounding the Mode dial, the P7000 has a software-driven Quick Menu dial that covers six functions, including ISO. Both cameras have a zoom ring around the shutter button. The LCDs of both cameras stick out the back, but only the Canon G12′s swings out for odd-angle shots. The similarities continue on the back, with a rear dial that is also a four-way navigator, an optical viewfinder, AE-Lock button, and a thumbpad. While the P7000′s second dial is in the back, the Canon G12′s is in the front (see two above images). While the Nikon P7000′s LCD doesn’t articulate, it is larger, offering higher resolution of 921,000 dots, while the G12 has only 461,000.

Good Control. One important design change from the P6000 is the abundance of exterior controls, including simple access to Manual, Aperture, and Shutter priority modes on the Mode dial. I also really liked the EV dial on the top right of the Nikon P7000, which you can access with your thumb to quickly change exposure settings. The dial locks solidly in place so there are no miscues.

Quick Menu. A clever, but exceedingly slow interface.

While I liked the Quick Menu Dial on the top left of the Nikon P7000, which grants you to adjust some of the most frequently used settings, such as ISO, bracketing and white balance, it’s not as responsive as its “Quick” moniker suggests. Turning the dial is not the problem, it’s the second or two it takes for the adjustment screen to pop up on the LCD that is annoying. While I’m not always in a massive rush to adjust white balance or image size, I do change ISO settings quite a bit on the fly. A dedicated ISO dial would have been a nice standalone function on the P7000, rather than this heavily software-driven, and very slow multi-use dial.

Nikon, thankfully, offers an optical viewfinder on the P7000 with diopter control. The viewfinder is quite tiny, and, as with all separate optics from the lens, I experienced noticeable parallax error when using it. I preferred composing pics on the Nikon P7000′s nice, 3-inch, 921,000-dot LCD screen on back. Though in bright outdoor light the screen tended to wash out, as with most displays, the anti-glare coating helped significantly.

What’s strange about the screen is that it’s slightly raised from the P7000′s body, making it seem like it should be able to tilt and swivel to help compose over-the-head or low-angle shots. Unfortunately, this is not the case. (Once you begin using an articulating LCD screen, you immediately get used to its benefits.)

Also odd is the button on the back of the Nikon P7000 that looks like it has a Pac-Man symbol on it. That triggers the small but reasonably powerful pop-up flash, which has a range of one foot to 21 feet at wide-angle, and two feet to nine feet ten inches at telephoto with Auto ISO. There’s also a hot shoe (iTTL) for an external flash, offering photographers a lot of creative lighting control including wireless flash with compatible units.

Action. Making adjustments during a fight was not as simple as I’d have liked.

Could Be Faster. Where I grew frustrated using the Nikon P7000 was its overall sluggish performance. I used the camera to shoot the annual Medieval Festival in New York City, the Balloon Fiesta in New Mexico, and leaf-peeping season in Vermont. While the image quality was solid–more of which I’ll discuss further down in this report–I was disappointed with how slowly the camera responded.

The P7000 uses Nikon’s new EXPEED C2-branded image processor. While the processor did well in keeping noise levels down at higher ISOs–the Nikon P7000 can shoot at up to ISO 6,400 at full resolution–it lagged in operational speed.

In our lab testing, we clocked the P7000′s “power on to first shot” start-up time — i.e. the time it takes for the LCD to turn on and lens to deploy and capture a picture — at a mediocre 2.9 seconds. In real world testing, I timed it even longer than that, at about 3.5 seconds. Though the 7x (28-200mm equivalent) lens extended fairly quickly, the screen took a second to fully res up and it was another second before you could engage the shutter.

Shutdown time was a better at just under two seconds though that is not nearly as important as start-up when it comes to quick picture-taking. The P7000 also cleared its buffer extremely slowly, averaging about 41 seconds after shooting 24 JPEG frames; and about 31 seconds after 5 L/F JPEG + RAW frames. I averaged ten seconds between shots in straight RAW mode which is unacceptable even for a compact camera.

On the other hand, full-autofocus shutter response was very fast for a compact at both wide-angle and telephoto, at 0.20 second and 0.23 second respectively, which is noticeably faster than the Canon G12. And when you prefocus the P7000, there is virtually no lag at all, taking 0.02 second.

It took close to a full second, however, in low-light conditions with the Nikon P7000′s auto-assist lamp engaged. Continuous shooting was not very impressive, with the a maximum of 1.36 frames per second capture speed in JPEG mode.

While the Nikon P7000′s menu system is bright, clear, and logical, I found scrolling through it to be a time-consuming, herky-jerky experience. It was a good call by Nikon to put a lot of external controls on the Nikon P7000, though some adjustments require you to hit the Function (Fn) button on the front of the camera which is awkward and forces you to use an extra hand.

Autofocus. We also had a terrible time in the lab shooting our incandescent indoor shot. The Nikon P7000 simply would not focus on our center target, choosing the background instead. Switching to face detection also did not work. While the camera chose the face–even though it is not looking face-on to the camera–it still focused on the background of the scene. Luke eventually achieved reasonable manual focus by moving slowly along the manual focus scale until he came up with a sharp image.

Punchy color. Note the fairly pinkish cast to the girl’s skin.

Image Quality. Though I was disappointed with the Nikon P7000′s speed, its image quality was excellent and I found its 7x lens to be extremely versatile and generally sharp. Colors are a bit punchy — sometimes too punchy. This was particularly true with Caucasian skintones which occasionally were rendered overly pinkish. Our Imatest results show this result as well. This was evident in the colorful characters I photographed at the Medieval Festival and the faces of attendees at the balloon festival. It did not bother me as much while shooting Fall colors in Vermont since I wanted as much brightness and boldness with those shots.

If the saturation level bothers you with the Nikon P7000, you can also turn it down by selecting the Neutral setting under Picture Control in the menu. You’ll enjoy the range you get with the 28-200mm equivalent lens, and the camera’s built-in VR (Vibration Reduction) image stabilization does a good job steadying shaky long-range shots. Nikon’s ED (Extra-low Dispersion) glass elements in the lens and image processing did a good job tamping down chromatic aberration, and though lens distortion is somewhat high, the Nikon P7000 includes a Distortion Control setting to nearly eliminate barrel distortion at wide-angle and make pincushion distortion disappear.

Low light. The Nikon D7000 did fairly well in low light, as this scene was quite a bit darker than you see here.

Aperture ranges from f/2.8 at wide-angle to f/5.6 at telephoto and, unsurprisingly, I got my ideal results at f/2.8. While the Nikon P7000 did well at f/2.8 in low light, the lens was not particularly adept at creating a shallow depth of field. That’s not so much the fault of the lens’s maximum aperture as it is a result of the P7000′s small sensor requiring a short focal length. As usual with Nikon’s compacts, I got great Macro results including close-ups of purple clover in a field with some beautiful blur–a.k.a. bokeh–behind the flowers.

The lens has a cool new feature called zoom memory, which automatically extends to pre-set focal equivalents–35mm, 50mm, 85mm etc.–just by tapping the Nikon P7000′s zoom dial. The rub is that you also need to be pressing that awkwardly placed Fn button on the front of the camera.

As with other high-end compact with 1/1.17-inch sensors, shooting at high ISOs can be hit or miss. I got fairly good results with Nikon P7000 at up to ISO 1,600, though there was some noise in the shadow areas in low light. ISO 3,200 and 6,400 (Hi 1) were very noisy. The Low Noise Night Mode on the Mode dial, which can record as high as ISO 12,800, came in handy in emergency situations–when it was quite dark and could not use a flash–but it should be noted that it only records images at 3 megapixels. Printed image quality was good, but not quite as good as its main rival, the Canon G12. Thanks to noise suppression, things got softer a tiny quicker than expected. Unlike the G12, though, you can turn down the Nikon P7000′s noise suppression.

Video. 720p video’s good when a still will not do.

HD Video & More. One significant upgrade on the Nikon P7000 from its predecessor is that it can now shoot high-definition video clips. I got nice results with the movies, which are shot at 720p HD at 24fps, though sound quality from the built-in stereo microphone was only so-so. If you want better sound, purchase a small stereo mic and hook it up to the 3.5mm stereo mic jack on the camera. You can optically zoom while shooting HD clips, which is a huge plus.

There’s also a mini HDMI port for screening your movies directly on an HDTV. (HDMI cord is sold separately though.)

Other features I liked were the Tone Level Information setting, which shows you the amount of detail you have or lose in the shadows and highlights of a photo; the virtual horizon level for help with straightening shots; and the built-in ND (Neutral Density). One feature Nikon, unfortunately, decided to drop completely from the previous model is GPS functionality.

In a Nutshell. Though the 10.1-megapixel Coolpix P7000 doesn’t score any points for originality of design, nor is it the fastest performer in its category, it’s still a major step forward for Nikon in the advanced compact camera category. While I wished the Nikon P7000 were snappier to use all-around, it bests the competition in other areas such as its sharp and versatile 7x (28-200mm) lens with its useful max aperture of f/2.8 and its robust feature-set. For Nikon users wondering if the company was going to make a solid high-end follow-up to the disappointing P6000 from a few years ago, the Coolpix P7000 is the advanced compact camera you have been waiting for.

See the test results summary, along with pro/con and our conclusion below. For more detailed test results, see the Optics, Exposure and Performance tabs.

Nikon Coolpix P7000 Lens Quality

Wide: Sharp at center

Wide: Soft at upper left

Tele: Sharper at center

Tele: Also soft, upper left corner

Sharpness: Both the wide-angle and telephoto ends of the Nikon Coolpix P7000′s zoom show mild blurring in the left corners of the frame compared to what we see at center, though the right corners appear more consistent. In both positions, a touch of softness extends a fair way into the frame.

Wide: Average barrel distortion; noticeable

Tele: Noticeable pincushion distortion, higher than average

Geometric Distortion: At wide-angle, the Nikon P7000′s barrel distortion is about average (0.8%), and noticeable in some shots. At telephoto, pincushion is higher than average (0.4%). The Nikon P7000 does have a Distortion Control feature which eliminates most geometric distortion when enabled.

Wide: Minimal

Tele: Also low

Chromatic Aberration: Chromatic aberration at wide-angle is minimal, with only a slight reddish line visible, and a hint of a bluish line as well. At telephoto, the effect is again mild, with slightly more visible red and blue pixels, though brightness is quite low. Uncorrected RAW files show more C.A., so the P7000′s processor is doing a good job here.

Macro

Macro with Flash

Macro: The Nikon Coolpix P7000′s Macro mode captures a sharp image with strong detail across most of the frame, with less blurring and chromatic aberration in the corners than we are used to seeing at these close distances (often a common limitation among consumer digital cameras in macro mode). Minimum coverage area is 1.39 x 1.04 inches (35 x 27mm), which is quite good. The camera focuses so closely that the flash is blocked by the lens in the lower right corner, making flash unusable at this range.

Nikon Coolpix P7000 Viewfinder Accuracy

Wide: Optical

Tele: Optical

Wide: LCD Monitor

Tele: LCD Monitor

Viewfinder Accuracy: The Nikon Coolpix P7000′s optical viewfinder was quite tight, showing only about 83% frame accuracy at wide-angle and telephoto. The camera’s LCD monitor performed much better, showing right about 100% accuracy. LCD coverage accuracy is reduced when Distortion Control is enabled.

Nikon Coolpix P7000 Image Quality

Color: Overall color saturation looks pretty good, though bright reds, blues and some greens and oranges are pumped a tiny high (blues and reds more so). Hue is also a tiny off for colors like cyan and orange. Dark skintones are strongly pushed toward orange, while lighter skin tones sometimes show a small shift toward pink. However, results are fairly typical.

Auto WB:Good, though slightly magenta

Incandescent WB: Too warm

Manual WB:Pretty good

Incandescent: Manual white balance handled our incandescent lighting ideal overall, though white values are a hint cool. Auto produced a red/magenta cast, while the Incandescent mode resulted in a very warm image.

Horizontal: 1,600 lines

Vertical: 1,600 lines

Resolution: Our laboratory resolution chart revealed sharp, distinct line patterns down to about 1,600 lines per picture height in both directions. Extinction of the pattern occurred at around 2,400 lines per picture height. Looking around the full size images, there are quite a few “dead” pixels appearing between fine line sets, as seen in the horizontal crop at right.

Wide: Inconclusive

Tele: Bright

Auto Flash

Auto flash produced fairly bright results in our indoor portrait scene, retaining minimal ambient light by using a slower shutter speed of 1/30 second, and raising ISO to 200. At 1/30 second, subject motion could cause some issues with blur, though the P7000′s optical image stabilization should keep blur due to camera shake in check.

100

200

400

800

1,600

3,200

6,400

ISO: Noise and Detail: Detail is good and distinct at ISO 100, though as early as ISO 200, smudging from noise suppression is evident. Noise suppression efforts become more visible as the sensitivity level increases, though at ISO 800 a more prominent noise grain appears. At the highest levels of 1,600, 3,200 and 6,400, both chroma and luminance noise are quite strong, altering color balance in addition to obliterating detail. See Printed results below for more on how this affects prints.

Printed: ISO 100 images look good printed at 16×24 inches, but are slightly soft on close inspection. Printing at 13×19 inches, however, looks good and sharp.

ISO 200 images are noticeably softer, though, looking better at 11×14, a bit of a disappointment.

ISO 400 shots are again softer than expected at 11×14 inches, looking better at 8×10.

ISO 800 images are usable at 8×10, but still pretty soft, looking better at 5×7.

ISO 1,600 shots are also usable at 1,600, but better at 5×7.

ISO 3,200 shots are good at 5×7, but better at 4×6.

ISO 6,400 images are usable printed at 4×6 inches, though there is quite a bit more grain than was apparent in any of the other images.

Overall it’s a good performance, but a bit of a disappointment when compared to its main rival, the Canon G12. It’s only about one print size difference, though, more noticeable at ISO 200, 400 and 800. So where Nikon leads in the high-ISO image quality gambit among SLRs, Canon is doing better among the small-sensor 10-megapixel cameras.

Nikon Coolpix P7000 Performance

Shutter Lag: Full autofocus shutter lag is very fast, at 0.20 second at wide angle and 0.23 second at full telephoto. Prefocus shutter lag is 0.021 second, also very good.

Cycle Time: Cycle time is on the sluggish side, capturing a JPEG frame every 2.26 seconds in single-shot mode. This increases to 6.84 seconds for RAW+JPEG mode. Continuous mode captures JPEGs at 1.36 frames per second for 24 frames, and surprisingly, RAW+JPEG mode increases to 1.80 frames per second for 5 frames.

Flash Recycle: The Nikon Coolpix P7000′s flash recycles in about 5.2 seconds after a full-power discharge, which is about average.

Low Light AF: The camera’s AF system was able to focus down to just above the 1/8 foot-candle light level without AF assist enabled, but only to about 1 foot-candle with AF assist, as the AF assist lamp overwhelmed autofocus at short range.

USB Transfer Speed: Connected to a computer or printer with USB 2.0, the Nikon Cooplix P7000′s download speeds are a tiny slower than average. We measured 2,879 KBytes/sec.

In the Box

The retail package contains the following items:

Nikon Coolpix P7000 digital camera Strap Rechargeable lithium-ion battery EN-EL14 Battery charger MH-24 USB cable A/V cable Software CD-Rom Quick begin guide User’s manual Warranty and registration card

Recommended AccessoriesExtra battery pack for extended outings Large capacity SD/SDHC memory card. These days, 4GB is a good tradeoff between cost and capacity, but if you plan to capture many motion picture clips, 8GB should be a minimum. Medium camera case

Just a few years ago, the market for feature-rich, fixed-lens compact digital cameras was busy and hard-fought, with a massive number of manufacturers offering flagship models with top-notch image quality, and an array of manual controls. With the advent of truly inexpensive digital SLRs, that market contracted, but it’s come back with a vengeance in recent months, and Nikon is one of several manufacturers offering top-quality compacts designed with the enthusiast photographer in mind. The top contenders in this space are now the Canon G12, Panasonic LX5, and Nikon P7000.

The Nikon P7000 addresses many of the issues that plagued its predecessor, the P6000. Its blended image quality and general sluggish performance did not compare favorably with the leaders of the time, which included the Canon G11 and Panasonic LX3. Nikon’s approach is to take on the Canon model in both shape and features, as well as offering simple access to many of the manual functions that photographers want in their small, rangefinder-like digital camera. For form factor, Nikon is right on target–some would state too much so. Regardless, it’s all designed right from our perspective, with simple access to the EV dial, the zoom on the shutter button, two dials for changing settings quickly, and an additional Quick Mode dial to handle commonly accessed functions.

When compared to the G12, the only thing it’s missing is a dedicated ISO dial and an articulating LCD. Otherwise, the Nikon P7000 has a good quality sensor, high ISO capability, a great lens–one that exceeds the zoom length of the G12–as well as image stabilization and a relatively fast f/2.8 lens speed.

Where the Nikon Coolpix P7000 gives us pause is in its speed. Starting with menus, though the very high resolution screen renders the font laser sharp, the menu can sometimes take too long to come onscreen, and usually changes between menu items can take too long. We were surprised by this last point. Activating the Quick menu is always greeted with a one to two second delay before the appropriate menu appears. Switching “quickly” from one menu item to another by turning the dial is also inexplicably slow–sometimes slower, depending on the menu item. Switching from Playback mode to Record mode takes two to three seconds. How this can happen in a modern digital camera is a mystery. When we saw them in the prototype, we wrote off these issues as early unit jitters, but now that it appears in shipping units, we are disappointed. Those hoping to shoot RAW+JPEG images with the P7000 should also know that it takes six seconds to save the files to even a very fast card, and up to 31 seconds after you have filled the buffer with five frames; and as it saves, the camera is completely unavailable for follow-up shots. Finally, only two other cameras in recent memory, the Olympus Pen series and the Canon 7D, have given us trouble focusing under incandescent light on a high-contrast target that no other cameras struggle with. Both of those are good cameras, to be sure, but this was not the only circumstance where the Nikon P7000 focused on the background rather than the subject in the AF area.

Default JPEG printed image quality was not quite what we expected, very quickly getting softer at ISO 200, but the Nikon P7000′s option of a low setting for noise suppression raises the chances that you can do better; and of course there is always RAW. Optical quality from the Nikon P7000 is excellent, especially considering its longer zoom range from 28-200mm equivalent. Corner sharpness is good, Macro performance is good, and the camera processes to remove chromatic aberration, and can be made to remove geometric distortion as well. A close look at the resolution target shows quite a few dead pixels on the sensor, something that was processed out of images from the two major competitors, or else absent. Flash range is good, though not quite as good as the G12′s, and we did find a tendency for the camera to select a slower shutter speed than we liked for handheld use.

Overall image quality was good, and the 921,000 LCD makes composing images a real pleasure. The optical viewfinder is too tight and suffers from parallax error, something we expected, but we are still glad it’s there. We like all the external controls, and the Quick dial concept, we just really need it to be faster. Low light autofocus leaves much to be desired, but in reasonably lit rooms and outdoors, it does fairly well, autofocusing quite a bit faster than the Canon G12.

It’s simple to like the Nikon P7000–until you try to adjust something, then you want to find the camera processor’s Turbo button to speed things up. The Nikon P7000′s image quality is good, its design is good, but its slow interface and questionable autofocus performance keeps it from being great. We think it’s possible to use and love the Nikon P7000 for its image quality alone, but we had be remiss if we did not point out its considerable shortcomings in the speed department. If you like to take your time with your photos, and do not mind the camera taking its time as well, you will be quite happy with the Nikon P7000.

-Shawn Barnett

source : www.imaging-resource.com

Review posted for Nikon P7000!

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